Kid Video

Our past two weeks have been rife with family visits, and visiting. I write this now – as we say goodbye to one crew and prepare to set out with another – with only one evening to spare. So while we take leave for a week up north with more kin, I present my absolutely stunning and cuddly niece and nephew. And I pledge to you, I don't say this while peering through unbiased uncle eyes. At all.


Trying out the hoop, the boy shows his swivel technique. Needs to loosen up a bit, I think.


The boy, shouting it from the rooftops. Or at least from the patio. Loves his own lungs. Until distracted by a nearby carrot on a plate.


The boy, he loves to say no. Did I mention he likes testing out his lungs?


So I waited patiently. But in the end, there was no sneaking anything past this guy.


Meanwhile, the girl and I took the camera out for a spin and a choke-hold in the park.


Finally, my favourite. From our day on the Prairie Dog Central. I turn the volume off on this one, and promptly melt.

Might As Well Jump (On The Bandwagon)

There's been inevitable discussion among designer circles over the identity of the newly-refueled Winnipeg Jets. And for those equally passionate about both design and hockey, it's placed us in an awkward spot. Who do we pledge allegiance to?

My eyes are admittedly clouded somewhat by fandom. I can’t help it. I grew up watching the Jets, while also learning the skills of an artistic and creative trade. Travel back to the mid-90s, and my gangly 15-year-old self could polish off a pitch-perfect hand-drawn facsimile of the Jets' last active emblem. And before I ultimately pass judgment on the reincarnation, I'm willing to wait out the logo's most crucial test: its application on a uniform. But early on, I also can’t help but appreciate our new logo (asterisk at the ready, I pronounce this knowing full well there’s a little matter of the pro-league passable secondary creation, and that tertiary, wince-inducing script monster – we’ve all seen it, I’m not even going to show it, and you’re welcome).

Where this pleasure derives from, I’m not quite sure. The logo takes some of the basic principles of design and tosses them mercilessly off a cliff – and yet, if I passed it in a dark alley I’d probably smile and say hey, new Jets logo, what’s up, and be merrily on my way. Why can’t I just deride it outright, like a good designer should?

Perhaps because I know the baggage that comes with any union of design and sport.

When it comes to design – unfortunately for most of us – pro sport maddeningly abides by its own set of rules. It's frequently an uncomfortable blend of popular taste and crass commercialism, with a healthy dash of Vegas-style pomp. Team crests deemed classics are precisely so, not because there was any greater affinity for design in the good old days, but that there's been time for an entire culture to surround them. Like the BMW roundel or Coca Cola's loopy script, emblems of the Original Six have existed since before most of us were placed on this Earth – and because of this they are widely deemed iconic. Untouchable. The standard from which others are measured.

Consider the New York Yankees – owners of one of the most valuable and storied franchises in all of professional North American sport – represented through the years by an awkward, imbalanced union of N and Y. Then, hypothetically, consider the Yankees starting fresh in 2011. Would the my-kid-could-draw-that amalgamation of N and Y fly with fans and designers alike? Doubtful. But that's also baseball. In a sport symbolized in recent years with an asterisk, Major League Baseball operates – from a design standpoint – in an altogether separate universe (though tell that to the Blue Jays, whose new-ish script puts the Jets' wordmark to certain shame).

Early indications show generally positive reviews from the only folks that, in the eyes of the NHL and True North, ultimately matter – so I shrug my two shoulders and thank high holy bacon the powers that be didn't deliver unto us the next incarnation of the Mighty Ducks logo. On the surface it looks like I’m settling, but I also suspect that many designers in town who know a puck from a hole in a beautifully minimalistic white wall are thankful we didn’t get saddled with a mark that’s out-and-out embarrassing. Hey, the thing’s symmetrical. It’s got a subtle, understated colour scheme. It’s mascot-free. And it’s not awash in flavour-of-the-day gimmickry.

Are we led to believe then, that the line-ups around the block for a first crack at official merchandise equates to an endorsement of the design? Had the emblem been a Lightning-style travesty or nouveau-New York Islanders laughingstock, would the line-ups have contained flaming pitchforks over cash-fattened wallets? Probably not... too much. Any pessimistic bone in me thinks most folks in that line are giddily blind to any aspect of the design. But the fan in me is appeased for now. And the designer in me is glad we’re not stuck with the Coyotes, or the Canucks, or the Penguins, or the Hurricanes, or the Sharks...

Undoctored Spins

The Winnipeg Folk Festival once again performed admirably in the department of good times. This year's line-up was not aimed directly at my heart (for that, see Folk Festival, 2009). Nevertheless, it was solid. As it always turns out to be. Speaking of turning, this year I opted to record the experience through my camera's rarely-used video function.


Thursday night, and the Preservation Hall Jazz Band had me quite instantly relaxed. Come. Dance with me. Gaze into my eyebrows.


Curses! Before you even get a chance, here's Kerry, stealing me away from you. Together we attempted the Folk Festival four-step. Not the most fluid manœuvre, but the weekend was young. We had plenty of time to hone our skills.


The next night, k.d. lang tore the roof off… were there a roof.


Sunday afternoon. I don't know if it was the heat, or the sun, or the drums, or the brass section, or the masked hula-hoopsters, but I found myself swirling in a whirling vortex of left-leaning, patchouli-soaked crazy madness. I had to be wary.


And then, come Sunday night, we perfected the jitterless double-team spin-o-rama. But at the expense of our very sanity.

245: Incorporating Monsters

I haven't been drawing a lot lately. And the chief reason for that is, I have been drawing a lot lately.

This spring I've been pumping up my freelancer muscles. That is to say, I am in the process of acquiring freelancer muscles, having, for years, not been very interested in the concept of work outside of work. How things change.

The bonus of it all is, of course, financial – otherwise, none of us would be doing this. But also, in the two-birds-with-one-stone category, I was able to overcome a massive lack of drawing following a year or so of taking photos. (Conversely though, these days I do not take many photos.)

So in the theme of work staying work, and this blog staying primarily about fun, I present a crossover of sorts, taking myself to a rarified place where stars and planets align, work becomes fun, and fun becomes profit. These two close-knit fellows above represent two of three characters I developed and incorporated into a weeks months-long freelance operation – one that was ultimately pretty darned rewarding. Having previously not spent so much time working away from work, I only needed to remind myself – which I did quite often – that here I was, at my desk with my pens and light table, drawing monsters for kids, and getting paid for it (soon).

It had been a long time since I reflected on my career choice, thinking mebbe I am on the correct path. I like to think these critters had something to do with it.

500

San Francisco | Fun this way! – by Connie Tsang, aka ardenstreet

I have a difficult time expressing just exactly what it is that makes me 'like' something. Take my time whiled away on Flickr since the summer of 2004 – it has taken nearly six and a half years to "favourite" 500 images on this site, a photo hub boasting well over five billion snaps. Now I am not a snoot; much like Ralph Wiggum, I like stuff – but my storehouse of Flickr favourites is a precious place. It's chockablock with now why didn't I think of that. Packed with I am not worthy. Stuffed with f**k that's funny.

Some pics don't make a lick of sense. There are illustrations flat out jaw-dropping or brain-jarringly simple. Most of all, there are 500 visuals that speak to me. Even while I can't describe to you why this is. But if you ever want to know me, check my 500 favourites.


Thanks, Flickr. Click here to view larger.

Parks And Recollection

In 1985, my mom took us on a vacation – the family road trip, one repeated too many times to count in this country – to the Canadian Rockies. I was nine years old, had never seen the mountains. Although this experience was checked off my kiddie-size bucket list just south of the border in Montana, it was time spent in the five iconic Rocky Mountain national parks (Waterton Lakes, Banff, Jasper, Kootenay and Yoho) that set in stone for myself a lifelong fascination with our national parks. An oversized, dog-eared coffee table book on Canada's national parks arrived for my birthday soon after this trip, a gift bought with cash sent from my grandparents. I was hooked.


Our family vacation, taken after Labour Day in place of my first two weeks of Grade 5 – on a shoestring budget outside of peak season (kids don't care, and... ooh! the Lake Louise hostel has a pool!) – opened my eyes to the size of the country. Previously, any personal real-life grasp of Canadian geography extended to Manitoban day-trips and visits to my dad in southern Ontario. To his great credit, he took me to Point Pelee to satisfy my rapidly-developing childhood birdwatching jones, and to Flowerpot Island, to witness incredible quirks of geology.


Some of my greatest stick-with-me moments have happened in these places. My Crayolas, melting on our car's dash while I day-hiked with my family in Waterton (I got in shit for that from mom). A four-hour bike ascent to the base of Mount Edith Cavell in Jasper (and 30-minute comfort cruise back down). Beachcombing with Kerry and my mom – and a few hundred migrating sandpipers – at Kejimkujik's seaside adjunct (after sneaking behind the lines of trail closure signs). Leaping to high heavens as a frightened moose crashed from the bushes metres away in Gros Morne. Watching Kerry on the dock at Riding Mountain's Kinosao Lake, the entire scene quiet as a mouse. Kerry and I dropping from exhaustion after our trek to Crypt Lake. Playing park rangers together on a backcountry hike last summer. We would have gotten engaged on Bruce Peninsula, had a thunderstorm not rolled in and delayed my requirement for the perfect moment (which happened the next day in the unholy sanctity of – gasp! – a provincial park).


I sometimes like to think, as well, that the parks even had a hand in my becoming a designer. I quickly became fascinated with the 1980s-era mini-brochures, that visitors would receive on entering any given park, themselves a take on the Unigrid-and-Helvetica materials of the U.S. Parks Service. I collected them, marveled in their continuity. I could draw the old beaver logo from memory, a symbol, in my mind, as much a part of Canadiana as the CN doodle or CBC burst. I'd wonder why the rest of the world couldn't adopt clean, common signage design like the brown-and-gold world inside a national park.


This year, the Canadian national parks service turns 100 years old. And I'm happy about it. There are not too many things that make me as openly patriotic. Gros Morne, Cape Breton Highlands, Kejimkujik, Fundy, Point Pelee, Georgian Bay Islands, Bruce Peninsula, Riding Mountain, Waterton Lakes, Banff, Jasper, Kootenay and Yoho – that's my list. It should be greater, and it will be in time. There's too great a desire in me to watch waves crash in Pacific Rim, scan the expanse (and four trees, total) of Grasslands, or to somehow reach the high Arctic and truly get lost.

244: Going Coastal

Kerry and I went to Vancouver last week. I had never been (minus the airport), nor had she since she was a kiddo. Kerry was attending a conference, so for a few days we shacked up in a ritzy, gleaming hotel tower. The hallway mirror told you what the weather outside was like...


While she conferenced, I entertained myself. One day, I hoofed the paths at Lynn Canyon Park. The lushness of the place, I will never witness at home – no matter how long I accidentally leave the sprinkler on. If green was my favourite colour, I would have experienced bliss. As it was, I was content with scenic splendour to bask in. But I tore myself away from the place to join Kerry and see Bill Clinton speak – I had never seen a president before.


I rented a twenty-dollar bike and toured the coastline another day. Having recently received my pre-summer buzzcut, I was unprepared for the potential of a sunny day, and toasted my exposed forehead. It was worth it, even as my face peels as I type this. I located the Go Fish seafood stand, and ate the best fish-and-chips of my life. All told, we ate very well: Bin 941, Hapa Izakaya, Latitude, Burgoo, Nuba – no one disappointed. Toss in a Kurobota Terimayo Japadog, and I was a super-happy eating camper.


On another day, I toured the Vancouver Art Gallery – and got lost in Ken Lum's Mirror Maze with 12 Signs of Depression. When Kerry was finally set free we shopped, before striking camp and moving to cheaper digs in Mount Pleasant. I bought four shirts at the H&M.


The rain set in the next day, but never enough to stand in our way. It actually kinda suited our excursion to the UBC campus for the trifecta of the Museum of Anthropology, Nitobe Memorial Garden and a wizzo forest canopy walk at the botanical gardens (with a peek in at Wreck Beach; no nudies). By the end, we itched for a warm, dry place. I had steaming macaroni and cheese for dinner that night. It was decidedly more palatable outside the next day, when we hit up Kitsilano and the Emily Carr University of Art+Design grad show (wow).


Time to come home. One more beautiful morning, in Queen Elizabeth Park surrounded by more tulips than what is probably legal, and afternoon up and down Main Street, peering in windows, visiting with friend Kathy, quaffing final beers in the sun before our airport run.

We had fun. I knew we liked the place because we checked out real estate sites while we were there. But, we are decidedly not rich enough. We think.


I am working on photos. I have these ones and more, here. And there will be more, soon.

The Greatest Works Of Art Mankind Has Ever Known

Experts of paleontology rarely debate the existence of prehistoric superwaterfowl, whom I believe waddled the earth during the late Jurassic epoch and the early stages of avian lifeforms. These illustrations – on grid paper no less, thus chockablock with scientific merit – depict a savage territorial battle between Aythya valisineria amplus and an unidentified carnivorous theropod.


The small, silhouetted airplane-like shapes are indeed 1920s bi-planes; they have been included in these illustrations only for effect, in that they make the scenes more epic.

A True North Font, Glorious And (Nearly) Free

I will be the first to admit, I don't dabble in the procuring of typefaces perhaps nearly as much as I should. But when I heard about the promotions surrounding the offering of Gibson, a swish sans-serif set, for dirt-stinking-cheap – and moreso, the reason why – I plonked down for this great cause. And I encourage you to do so as well.

More, on Gibson:

The Gibson font family is a humanist sans serif typeface designed by eminent Canadian type designer Rod McDonald, and produced by Patrick Griffin and Kevin King of Canada Type, to honour John Gibson, one of the original founders of the Society of Graphic Designers of Canada (GDC).

As well as paying tribute to Mr. Gibson’s productive life and love of the typographic arts, the Gibson family is intended to be a mainstay of the future of Canadian design education. Many Canadian design schools and institutions will be making it part of their larger type piracy education programs. The eight-font family is available at token pricing to make it especially affordable for design students. For less than the price of a design textbook, a student can now have a sturdy and contemporary humanist sans serif family that fits pretty much any design application, and will remain useful long after academic studies and well into a professional career in design.

All revenues from its sale will be donated by Canada Type to the GDC, where they will be allocated to a variety of programs aiming to improve the creative arts and elevate design education in Canada. Each of the eight Gibson fonts comes with 370 characters and feature extended Latin-based language support. The Gibson family ships in cross-platform OpenType format.


The face(s) have come in handy for myself with a quickness; I've already used Gibson to craft labels for maple syrup bottles through work, and for a freelance jobbie, an ad for a company organizing high Arctic tours. And cripes I say, what is more Canadian than that? And that? I urge anyone reading this with a designerly bone in their body, to get on that action. It's a great cause and for 48 loonies, a price that can't be beat.

Man, Answer The Phone

Wrong number messages: my favourite kind of messages.

Turtle and mushroom by Kerry.